Caitlyn Rooke B. 1988
Caitlyn is an American artist working and writing in Ireland since 2013. Her visual art is made with oil paints, typically on birch wood panels, using sable and synthetic brushes, palette knives, and various mediums. Caitlyn has exhibited her work in Dublin, including recent Royal Hibernian Academy Annual Exhibitions, in London at the 2018 Royal Society of Portrait Painters Annual Exhibition, as well as in the United States.
In addition to painting, Caitlyn is also a published poet and has worked on an animated short film created entirely in oil paint with the experimental Dublin based indie animation studio, Paper Panther Productions.
2019 Royal Society of Portrait Painters Annual, Mall Galleries, London, UK
2018 Hang Tough Gallery Grand Opening, Dublin, Ireland
Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London, UK
2016 RHA 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
Into The Forest Deep, Kildare Gallery, Maynooth, Ireland
2015 Gallery Launch, Kildare Gallery, Maynooth, Ireland
SCOOP Art Exhibition & Auction, Third Space, Dublin, Ireland
Hungarian Culture Festival, Smock Alley Theater, Dublin, Ireland
Rest, Solo Show, Third Space, Dublin, Ireland
2014 Launch Show, Lamplight Gallery, Thomas, West Virginia, USA
RHA 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland
Block T Members Showcase, Block T, Dublin, Ireland
2012 Associated Artists of Pittsburgh’s First Night, Pittsburgh Cultural Trust, Pittsburgh, Pa
2011 Steel City Artist Collective’s Something from Nothing, Hot Metal Bridge, Pittsburgh, Pa
2010 Joint Exhibition with Denman Rooke, Miller Gallery, Indiana, Pa
BFA Exhibition, Kipp Gallery, Indiana, Pa
Undergraduate Scholars Forum Exhibition, Kipp Gallery, Indiana, Pa
2009 Undergraduate Scholars Forum Exhibition, Kipp Gallery, Indiana, Pa
2007 2×2, Tribeca Arts Project, New York, NY
Emerging Visions, YorkArts Gallery, York, Pa
2010 Indiana University of Pennsylvania, Indiana, Pennsylvania, USA, BFA Summa Cum Laude
2013 The Drawing Studio – Bargue’s Cour de Dessin and Ecorche, Ireland
2017 Conor Walton Summer School, Figure Painting, Ireland
2018 Donald Jurney, Plein Air workshop, Ireland
On Painting: Understanding Art Through the Lens of Transience
I find an ancient appeal in the way that space relates to time within figurative art. Time being the context in which it is painted; the work being an indelible stain of a life, the one and only available to us. And when we search these created stains for the malleable history within, we may resurface with an ancient humanity, a humanity which understood everything because it could not imagine all that we still do not know. This bygone humanity lives again when we feed it our imagination and as we live its consequences and create new ones.
And space being the visual patterns and forms within a work of art. These distances collapse and expand as they illuminate and carry us out of the moment, when our minds are not awake to the passing of time, but only to the work of art. In this state of forgetfulness we may even catch a glimpse of our own shifting perspective and the distance it reveals between us, the artist, and each other. In this improvisation of time and space between humans, we have the capacity to be aware of the inner richness within each other and ourselves.
When we perceive work this way, there are many endings in sight, our own, that of the artist, that of the object itself, and many others besides. The space and time we take up is tethered to the idea of ending. Our view of endings (and beginnings too) changes how we see ourselves, each other, objects, the planet. Transient choices matter because they are all that I have and they will ripple with the consequences of a finite action.
As an artist, I have found that there is little to be gained in forcing these ideas into the subject matter. Time and space happen and I exist in their inertia. As I paint, each brush stroke, like the falling down of a domino, settles within the context of what is beneath and above it, the layers of paint, the air that falls between it and me, all of the paintings made before it, with it, and after it.