Into the Forest Deep

Posted by on Feb 13, 2016
Oils on Birch Panel, 18x18in

Oils on Birch Panel, 18x18in

Delighted to see this one go with a couple of newly weds. Fitting piece for the beginning of a new adventure.

xx Caitlyn

Duality of Mind

Posted by on Nov 9, 2015

Oils on Birch Panel, 48inx24in

Duality of Mind – oils on birch panel, 122 x 60 cm

Sold to a wonderful collector through The Kildare Gallery, Maynooth.


The Kildare Gallery

Posted by on Nov 9, 2015

Over the weekend, I had the pleasure of attending The Kildare Gallery‘s opening launch party.  Unsurprisingly, it was packed the entire time.

The brains behind the gallery, Ken and Ruth, chatting with a couple of my pieces just visible behind them.


happy homes for these two

Posted by on Jul 8, 2015

Thanks to Lamplight Gallery for acquainting these two pieces with amazing collectors.

It’s such a pleasure to see my work end up exactly where it belongs.

Far Off Hope, oil on cradled birch panel, 18x14in

Still Dream, oil on cradled masonite, 36x48in

Figure Painting Course

Posted by on Jul 1, 2015

Nick-Caitlyn Poster (1) (1)


Click here for the full course description and to book your place.

Color Study Process Video

Posted by on Jun 2, 2015


Head studies are one of my favorite things to paint. For me, this preparatory stage blends curiosity, observation, and empathy. It can be a real challenge to forward this sensitivity and energy on to the final portrait, as it’s tempting to worry over details in a “finished” piece.

This study of my mom was a natural choice for a first attempt at filming. As with learning any new skill, I faced a couple of unanticipated challenges:

1. I shot this film with a Nikon D3200, which is not really a video camera. You can only take 20 minutes of video footage at a time, and the camera overheats within an hour of using the Live View Movie setting. While I wasn’t expecting this, it wasn’t too big of an annoyance as I’m well adjusted to taking a break every 20 minutes or so, thanks to life drawing. However, the battery overheating was a let down, as I was in flow and didn’t want to wait for it to cool down. Hence the missing documentation of finishing up the last few bits.

2. As any artist knows, lighting can be a challenge. And filming added another dimension to these potential frustrations. Fluorescent lights emit a specific frequency and if your camera is not adjusted to this, your film will end up with horrible flickering bands of light across the footage. This is easily prevented by adjusting your camera’s frequency under menu options. (Check your model’s manual for specific directions.) Generally, fluorescents in the states are at 60Htz and those in Europe and Asia, 50Htz. Changing daylight can be prevented easily with a sturdy pair of curtains.

If you have access to Adobe’s Creative Cloud, you can download and use Premiere Pro for editing your footage. As someone who suspects that computers are sentient beings who actively hate humans, Premiere Pro was pretty intuitive. Not to mention the hundreds of free tutorials online.

Thanks for watching and reading. Feel free to post your comments or questions below.


Psychology Meets Creativity

Posted by on Feb 27, 2015

I’ve been reading through Creativity: Flow and the Psychology of Discovery and Invention by Mihaly Csikszentmihalyi. This is not a wikihow on creativity, but a comprehensive study spanning decades. Though I’m only three quarters of the way through, I’ve found it incredibly motivating. The participants interviewed in the study range from physicists to poets to business persons to entomologists.

If you want to give it a read you can download a digital copy on the Apple Bookstore or here’s a link to Amazon UK. Creativity: Flow and the Psychology of Discovery and Invention

Or you can check out a few points that stuck with me specifically:

  • From the numerous examples of creative individuals, the significance allotted to idleness struck me. We’re not talking laziness. All of them kept incredibly full schedules.  But they consistently included simple tasks into their daily practice, such as walking, driving, gardening, etc… Try taking a break from intense work and let your mind breathe. Without the pressure, ideas rise to the surface, sometimes good ideas and  sometimes poor.
  • This leads me to another insight gained: the necessity of balancing free thought and objectively analyzing those thoughts. I tend to criticize an idea before it’s half formed. And I imagine others struggle with the opposite, nurturing all ideas, even the bad ones. If you’re akin to me, then you don’t produce enough. If you fit in with the latter, then it’s easy for others to get lost in your output and give up before they stumble across something meaningful.
  • Thirdly, I have concluded that my concept of personal  time is warped. I consistently feel like I don’t have enough time, no matter how I rearrange my schedule.  What do I even mean by enough time? In my own twisted world, it makes sense to say to myself, “I don’t have time to complete an hour long drawing study everyday, I have too much work to do.” So I spend my morning doing a little of this, a little of that. Resulting in an hour of checking email, perusing Social Media, and reading an article about why cats like to sit inside boxes so much. And I don’t think this is necessarily procrastination, it’s more of an irresponsible understanding of my time. So to edify this, I am intentionally performing tasks that I find rewarding and dismissing those that I don’t, regardless of how much time I think I’m “wasting”.
  • Alright, last point that has made a groove in my brain: the value of adopting interests besides art. When various fields collide, a foundation is laid for exciting and new ideas to build onto one another. Most of us develop hobbies naturally, but how intentional are we about integrating  them into our chosen lifelong practice? Anyone out there  feel like they do this regularly?

Thanks for reading and I do hope you check it out for yourself!


Royal Hibernian Academy 184th Annual

Posted by on Sep 23, 2014

Earlier this summer, I had the privilege of participating in the Royal Hibernian Academy’s 184th Annual here in Dublin. These two recent portraits were exhibited alongside hundreds of other beautiful works from all over Ireland.

If you’re in the Dublin area, check out the RHA’s website for current and upcoming shows. They always have something beautiful there to see.

Oils, 14x14in

Denman, Oils, 14x14in

Oils, 16x16in

Bill, Oils, 16x16in

Block T Annual Members’ Exhibition

Posted by on Aug 4, 2014

Join me at Block T, this Thursday, at 6pm, for the opening of this year’s Members’ Showcase.

You can check out my work, “A Shifting Perspective,” there from Thursday through August 28th.

A Shifting Perspective

The inspiration behind this piece:

I see myself as a work in progress. As such, I strive to constantly re-evaluate my world view. In this way, I hope to act as a compassionate and empathetic person. The unfinished surface and multiple head angles of, “A Shifting Perspective,” illustrate these ideas in very simple, straightforward terms.

Hope to see you there!

Color Study

Posted by on Feb 13, 2014

Hill Walker Oil on wood. 4″x6″

I needed to explore some color options for an upcoming portrait, so I decided to do a quick little Paul Henry inspired painting.

Previous to living in Ireland, I was unaware of Paul Henry’s work. I first saw it in the National Gallery. I admire his simple, and yet grand, interpretation of the Irish landscape. I realize Henry may be old hat to many Irish artists, so please bear with yet another embarrassingly enamored American!

Here are two more Henry inspired paintings.

Stormy-Cottage WordPress

A Fog in Ballyvaughan oil on wood. 4″x6″


O'Malley Ruin wordpress

Ashford Ruins oil on wood. 4″x6″